In this series, I tell the story of a building or, on a broader scale, "places," by stepping outside the methods we typically prefer when depicting a structure in professional architectural photography.

The foundation of this series is that every frame we see regarding the structure—from the shot showing the entire building to the one where only a small detail is selected—tells something about it. People, animals, objects, falling shadows, traces left behind, stories, and the parallels, contrasts, harmonies, and disharmonies all of these establish with the building...

Technically, rather than a sterilized depiction of the "place," I prefer a raw and realistic narrative, leaving every element that enters the frame exactly as it is at the moment it is photographed, much like one might find in documentary or street photography.

In addition to this reality, in the out-of-focus or abstract and graphic frames consisting of a single color that can be seen in some shots, you can also see images inherent to the photographed subject—invisible to the naked eye but revealed through the craft of photography. My overall approach encompasses documenting raw reality and, at times, the interpretation of this reality by the photographer.