In this series, I aim to tell a story about a building or a space by going a bit outside the methods we prefer when portraying a building in professional architectural photography. For example, instead of showing the building as sterile and plain as possible, I prefer a raw and realistic narrative by leaving everything that enters the frame as it is at the moment it is photographed. In some frames, the building is still in the foreground, while in others it appears only as an element in the background, as in a documentary or street photography. My intention is that every frame we see of the building, from the frame where the whole building is visible to the frame where only a small part of it is visible, tell about it. What is seen, people, animals, objects, their shadows, what they are doing, what they are watching, their waste, the weather that day... All aimed at documenting the raw reality and interpreting it by the photographer.